(386) 383- 2388
Port Orange, Florida
For your convenience, classes are taught at the following locations;
(386) 383- 2388
Port Orange, Florida
For your convenience, classes are taught at the following locations;
Yana is a native of Russia. Her mother is a professional Ballet Dancer who still teaches and choreographs in Russia. Following her mother, Elena’s graceful footsteps, Yana began the study of Music and Dance at the age 4. As a little girl, Yana began performing at her mother’s annual recitals and also appeared on local television shows, becoming a celebrity in her hometown Vladivostok.
While obtaining her Bachelor’s degree in English Linguistics, Yana organized a modern-experimental dance troupe called Stihiya, meaning “Element” in Russian. Stihiya performed ardently at college recitals, various art festivals, and other venues.
From 2000-2005, Yana taught professionally as a choreographer at Red Stars Model Agency as well as in various fitness clubs, bringing the ancient art of Belly Dance to her beloved students.
As a brilliant soloist, Yana has performed at countless shows throughout the south east of Russia and continues to choreograph and perform solo performances. She continues to study World Music and Dance; her current passions being Latin American Dance, Flamenco and Belly Dance; Tribal style and Classic Oriental.
In 2005, Yana moved to Central Florida, bringing her passion and talent, as well as years of teaching experience. Yana attributes all the love and passion in her heart for the art of dance to her mother, Elena.
Locally, Yana has founded Daytona Beach Belly Dance, a community of women who celebrate the joy of Middle Eastern music and dance together. The Daytona Beach Belly Dance group gathers for classes during the week and performs during community cultural events such as the Daytona Beach Indian Festival, Earth Day, and at various private and public venues. Several “Haflas” are held every year for friends and family to attend and share in the groups’ love of Belly Dance. Yana also instructs Belly Dance and ZUMBA classes at many local fitness clubs, dance and yoga studios in the Volusia county area. She currently studies Salsa, Flamenco, Bollywood, and Polynesian dance as well as taking Samba classes and various workshops.
Yana is an instructor of Suspira’s Orlando Belly Dance Academy and currently performing with the “Orlando Dance Theater”.
Yana continues to learn and regularly attends fitness and dance seminars around the country to expand her knowledge and teaching methods, techniques and movements. During the last five years Yana’s experience in the US has included study with Masters of the Dance such as Mohamed El Hosseny, Tamalyn Dallal, Jihan Jamal, Aziza, Ansuya, Bozenka and many others. She was certified in Sahra Saeeda’s 20-hour “Journey through Egypt 1” intensive workshop and has recently started to learn the art of drumming (tabla and riq), which was introduced to her by the professional world famous percussionist Karim Nagi.
Professional Certifications and Instruction
Yana’s motto is “I dance for the same reason I breath – because if I didn’t I would die.”
This community of local women share in the joy of music and dance through the study of this beautiful art form that is good for the body and soul. Belly Dance is an enjoyable way to develop strong posture and graceful movement.
Discover this ancient art form and unveil your inner Diva.
Hire a professional belly dancer to perform at your private party in the Central Florida Area! Yana offers fun and exciting family-friendly entertainment that is sure to be the highlight of your event.
To book Yana for a performance at your event:
view info: have a look at price list and performance FAQ to get an idea of what to expect.
check availablility: email or call (386)383-2388 – please provide the date, time and location of the event as well as the number of guests you are expecting, and desired type of show.
sign the contract: when availability confirmed, download performance contract, fill it out, sign and get it back to Yana via email/post.
above info coming soon…
Yana does not perform at all male events such as bachelor parties… no exeptions.
*Aiwa – means yes in Arabic. It is often used as an exclamation in Belly Dance.
*Hafla (Haf lah) – Hafla means party. A private hafla thrown by a belly dancer usually involves Middle Eastern music. A hafla in the US is a full belly dance festival with vendors selling items and a stage show.
*Habibi (Hah BEE bee) – is an Arabic word meaning “my darling” or “beloved”. Habibi appears in many Arabic song titles and lyrics.
*Raks Sharki (Rocks Shark-EE) – is also an Arabic word meaning “Dance of the East”. It refers specifically to cabaret-style belly dance.
*Zaghareet (Zah Guh reet) – Is done in the Middle East is to honor someone. Mothers welcomed fathers using this traditional way of making a loud celabratory sound using your tongue and the roof of your mouth. Families would stand outside the home and do this as the father would come from work. We do this in other parts of the world and in the Middle East like a “bravo” or applause. This is a way to honor a dancer as well. A Zaghareet is a high-pitched undulation done with the tongue against the roof of the mouth, forming the sound, lalalalala. It is a sound of celebration! A Zaguareet is a favorite tool for bellydancers to express approval for what the bellydancer is doing at the time!
* Yalla – is a slang Arabic word used often in casual seetings… literally it means, go with God or let’s go!
Belly Dance Origin History & Tradition
Belly dance or Bellydance is a Western-coined name for a traditional Middle Eastern dance, especially raqs sharqi (Arabic: رقص شرقي). It is sometimes also called Middle Eastern dance or Arabic dance in the West, or by the Greco–Turkish term çiftetelli (Greek: τσιφτετέλι).
The term “Belly dance” is a misnomer as every part of the body is involved in the dance; the most featured body part in raqs sharqi being the hips. Belly dance takes many different forms depending on country and region, both in costume and dance style;; and new styles have been invented in the West as its popularity has spread globally.
Origins and Early History
Belly dancing arose from various dancing styles which were performed in the middle east and north african regions. One theory is that belly dance may have roots in the ancient Arab tribal religions as a dance to the goddess of fertility. A third theory is that belly dance was always danced as entertainment. Some belly dance historians believe that the movements of dancing girls depicted in carvings in Pharaonic times are typical of belly dancing.
Belly dance was later popularized during the Romantic movement of the 18th and 19th centuries, when Orientalist artists depicted romanticized images of harem life in the Ottoman Empire. Around this time, dancers from Middle Eastern countries began to perform at various World Fairs, often drawing crowds in numbers that rivaled those for the science and technology exhibits. Several dancers, including the French author Colette, engaged in “oriental” dancing, sometimes passing off their own interpretations as authentic. There was also the pseudo-Javanese dancer Mata Hari, convicted in 1917 by the French for being a German spy.
Another theory is that belly dance was originally danced by women for women in the Levant, and North Africa. The book “Dancer of Shamahka” is widely cited, it is a romanticized memoir written by a modern author, Armen Ohanian, published in 1918. In Middle Eastern society two specific belly dance movements have been used in childbirth for generations,.
Any or all of these factors may have contributed to the development of belly dance as we know it today..
In the West, the costume most associated with belly dance is the bedlah (Arabic for “suit”). It owes its creation to the Victorian painters of “Orientalism” and the harem fantasy productions of vaudeville, burlesque, and Hollywood during the turn of the last century, rather than to authentic Middle Eastern dress.
The bedlah style includes a fitted top or bra (usually with a fringe of beads or coins), a fitted hip belt (again with a fringe of beads or coins), and a skirt or harem pants. The bra and belt may be richly decorated with beads, sequins, braid and embroidery. The belt may be a separate piece, or sewn into a skirt.
The hip belt is a broad piece of fabric worn low on the hips. It may have straight edge, or may be curved or angled. The bra usually matches the belt and does not resemble lingerie. The classic harem pants are full and gathered at the ankle, but there are many variations. Sometimes pants and a sheer skirt are worn together. Skirts may be flowing creations made of multiple layers of one color sheer fabric chiffon.
Since the 1950s, it has been illegal in Egypt for belly dancers to perform publicly with their midriff uncovered  or to display excessive skin. It is therefore becoming more common to wear a long, figure-hugging lycra one-piece gown with strategically placed cut-outs filled in with sheer, flesh-coloured fabric.
If a separate bra and skirt are worn, a belt is rarely used and any embellishment is embroidered directly on the tight, sleek lycra skirt. A sheer body stocking must be worn to cover the midsection. Egyptian dancers traditionally dance in bare feet, but these days often wear shoes and even high heels.
As there is no prohibition on showing the stomach in Lebanon, the bedleh style is more common. The skirts tend to be sheer and/or skimpier than Egyptian outfits, showing more of the dancer’s body. The veil is more widely used and the veil matches the outfit. High heels are commonly worn.
Turkish dancers also wear bedleh style costumes. In the 80s and 90s a ‘stripperesque’ costume style developed, with skirts designed to display both legs up to the hip, and plunging bras. Such styles still exist in some venues but there are also many Turkish belly dancers who wear more moderate costumes. Even so, many Turkish belly dance costumes reflect the playful, flirty style of Turkish belly dance.
American dancers often purchase their costumes from Egypt or Turkey, but hallmarks of the classical “American” style include a headband with fringe, sheer harem pants or skirt rather than tight lycra, and the use of coins and metalwork to decorate the bra.
For the folkloric and baladi dances, a full-length beledi dress or galabeyah is worn, with or without cutouts.
Props are used, especially in American restaurant style, to spark audience interest and add variety to the performance, although some traditionalists frown on their use. Some props in common usage are:
Information taken from Wikipedia